lesbian phone sex
this came to me from my ex-girlfriend, who happens to be a documentary film maker. to wit:
this fabulous exposé of lesbian lust buttons is performed by Erica Kash and Julie Goldman. Kash I have not seen before. She began her career in Japan and is smashing in her silver-white wig.
Goldman first made me laugh at all our queer predicaments and cultures at a midwestern LGBT conference when i was in college. Of course, the bit that sticks in my mind was about tongue piercings. Then again, I think it wasn’t part of the routine but a nicely turned flirtation with a so-pierced delegate in the front row. A decade later, I saw her judge the Ms. Lez competition in Brooklyn. Brava. She’s fantastic.
day by day poetry
i keep a Skybright Studio canvas pad propped up on the table against the world map. It has a hot pink cover with a distant lighthouse under a full moon seen through sparse trees rendered in white lines and smudges; it is 16 x 20 inches. I write impulsive poems on it in sharpie marker. They often come from bits of conversation. It started in the fall sometime, and it is now full. Below is part of the resulting poem, annotated with links. Visually, it is beautiful on the pad, haiku format one to each sheet, but a ribbon like that would make the blog space too long so the lines are longer here:
she would ask, did you have one big love? What does love mean to you now?
she was radicalized around ideas of nation states & nationalism in high school English Lit class where she learned
America is a constructed country
American, an invented identity
with myths & traditions made in patchwork & whole cloth
the latest experiment
i get paid what i got paid in dc but now i live in new york.
i’m choking on it.
he was angry, when she asked if he had slept with a prostitute
after he said he had lived next door to a brothel.
residual feelings, she called them; like semi-sticky dust leftovers of love
“writing is like marriage—one should not commit one’s self until one is amazed at one’s luck”
even our complex, artful, deranged & joyful sexuality seems hopeless in the maw of this poverty, war & isolation
a fundamental human challenge
you are here; you are an agent of change; you are the butterfly effect
a flock of greckles in your face; a hawk circling far away
a pink plastic flamingo, an origami piece crane, and a hummingbird—
all in the same sky
i’ve only slept with 9 people, she said.
But how do i count the 6 dyke orgy in high school, or
that play-party where 20 people fucked the prince
while me & another femme pet him—how do i count that? She took the prince home the next night.
i count that
well, dunk me in buttermilk & call me a biscuit—
you’ve got grits, kid.
i like being part of a grand history. like she said: i cross the police line &
join the past 2 decades of AIDS activists
“writing saved me from the sin & inconvenience of violence”
part of that world
the mermaid girl sent me this clip below, something totally unexpected after a ***k of a day, and filled me with a cracked joy. i was also turned on and kinda weepy, though that could be amplified by current hormone levels.
regardless of your hormone levels, now you too can feel the love for nick pitera and sing along lustfully, as if you had seashells on your titties.
“Are you so super excited for the Broadway debut of Disney’s “The Little Mermaid”? Lots of other people are, especially the kooky (but passionate!) folks at BroadwayWorld.com, who sponsored a contest to discover talented mer-hopefuls across the land. Send us your best “Part of Your World,” people! And the people did, in droves. This girl won the actual contest, but we really couldn’t tear our eyes away from boy crooner Nick Patera…”
From Gawker: http://gawker.com/tag/nick-patera/.
Let me know, sweat pea, if you want full credit, and I’ll put <YOUR NAME HERE.>
absence and books and shoes
it has recently come to my attention that you read this blog—with some regularity and anticipation.
In light of this news, I apologize for my temporary absence. To earn pay for rent and loans and such, I have been working to plan this event that was, throughout its span, a 7-day a week endeavor. In the last month, even my sparse late night bloggings had to go. They were not the only bit of my life to be neglected into oblivion, including my sacred kitchen goddess bit.
I was eating a lot of pizza. Pizza! Also, drinking seltzer water directly from liter bottles. I can get myself talked into a passable if delusional Slow Food-y, local business supportive justification for the pizza, which I buy not from that anti-choice pizza chain or any chain but from whichever older-than-me, tiny Brooklyn place I happen to be near. This weak front fails to address the grossness of all that cheese to my body and takes a fingers-in-my-ears approach to where that cheese comes from. This also happens to be the distinct eating pattern of my ex-lover who rounded out her diet with pepperoni, cereal, and cheese’n’crackers.
She worked mad hours when we were together. Back then I gave her a hard time while loving to cook for her. Now, oh—I have pulled-up to her drive through and sat at the window in complete understanding. This working working working craziness: it becomes next to impossible to eat well. One needs either time or money to eat well or…exuberant and precise planning, which is not my forte. Coffee/cigarette breaks became my forte.
A sad state had come to pass- I was not horribly put off by the airplane food on the flight to London on the eve of the big to-do.
The day after this big who-ha ended, I pulled up in a cab at the Islington home of a couple, friends of a friend who was also visiting them. (At some live reading, I will tell about the lesbian cab driver giving us her lover-by-lover tour of London.)
Crossing their threshold, I struggled, wobbling over, taking off my shoes and turned into the living room, with the cat scuttering across the wood floor, looking back over his tail, my adorable coworkers seducing him with purrs and pets and cooing; my friend and her friend rollicking in their cute loud American girl reunion. The fogged autumn sun coming in through the huge front windows despite itself.
Hot coffee, platters of warm croissants, nutella, jam.
And I wept. Inside, I wept with the unraveling of releasing of relief. Which suddenly feels like joy.
I stayed with them for several days of Turkish and Indian restaurants, lingering afternoons at pubs, home cooked pasta dinners from the organic market and leftovers of everything picked-at over days.
Wandering the gayborhood of London, I found an all-you-can-eat vegan Buddhist buffet, clattering with plates and piled with flowers, for EIGHT DOLLARS. I ate so many bean paste sesame balls the kimono ladies were tittering.
And the novelist/investment banker half of the couple gave me the perfect short story for the time: Cathedral. Go on, find it. It is in a collection by the same title.
This short story kicked off a post-life-sucking-job reading frenzy, and I have gone through some delicious pages in the past few weeks. Among them, the 100 pages I read of That’s so you! before gifting it to one of the young women I worked with on this project.
It is a collection edited by Michele Tea; the tagline is Women write on self-expression through fashion and style. I am a Michelle Tea devotee—more power to you sister for earning your way in the world by your writing. Her write-up on that new turn in her life is as sweet as her nerdy queer femme intro. Her childhood lavender-on-lavender glam ensemble far out-shines my own ballerina inspired obsession at 7. I wore the grimy pink leotard endlessly, sleeping in it or hiding it at night so my mother couldn’t wash it lest—god forbid— it be in the washer or dryer and not ON ME.
Another So you! highlight: Kate Bornstein’s journey from being sent home from school for copying the wrong side of the tracks cool to her current soul satisfying outfits by Betsey.
Oh, Betsey Johnson! of the cartwheels on runways and pink pinkity pink on black designs on netting and tattoo inspired prints on velvet mini-dresses, and now – shoes. Sweetart candy for princess trash tootsies…coveted by moi. My only clothes purchased with large sums of money I never really have are a few pieces by Betsey. The first dress of hers that became mine, I swore wouldn’t fit, but the red maned shop girl stood with her heat against my back, zipped me into it sharply, yanked me back a hair’s width closer to her, and whispered, “You just needed a little help, Scarlett.”
The netting and sequins slung in the bottom of that big pink bag, I walked swinging and whooping hand-in-hand with my best friend through DC’s Georgetown. She and my mom co-gifted me the dress for my birthday. She was wearing her dimples and mighty ass, and I was wearing short, pale hot pink hair that I cut myself. We were yelling indirectly at the sorority girls, whose cab we later stole (instigating a full year of bad cab karma, but it was exhilarating at the time). Yelling about how she thinks she can wear Betsey Johnson but she cannot wear Betsey Johnson; I am the girl who wears Betsey Johnson! And we made out on the corner in our tattoos and piercings.
So go check out this book – I am going to get myself a copy and finish it.
I am so glad to know you read this blog, and for that, I want to share a little thanksgiving:
two things to read (that I did not write) and two to eat (that I did create)
Sex, Striptease & Feminism
by Sarah Katherine Lewis, posted Tuesday, 8 May 2007
A popular narrative about sex work, earnestly discussed in Women’s Studies courses throughout the nation and represented in countless “I stripped my way through college!” memoirs, is that adult labor is automatically, and by definition, feminist.
The argument goes like this: By using sexual stereotypes professionally, by “owning” them (using them consciously), and by “subverting” them (choosing which stereotypes to exaggerate and which to discard), a sex-working woman is participating in a feminist reclamation of both personal and economic power.
Her deliberate use of gender-drag turns wearing a g-string and gyrating on stage – or behind glass – from an act done merely to pay her rent into a strong, assured and transgressive statement more akin to political performance art.
You can’t objectify me – I am objectifying myself, shrewdly and self-consciously, in order to obtain power through money, and control through being considered sexually desirable.
It’s almost as if sex work is the most feminist thing a women can do – because if women are objectified every minute of every day against our will and without any personal benefit, why not grab the reins on that process and make a decent living wage at it?
If women’s bodies belong to everyone, some feminists argue, why not be the ones to profit from our own bodies instead of being consumed for free?
If we’re going to be forced to sell regardless, we may as well name our own prices and take comfort in pocketing our own net gain.
It beats working a minimum-wage job forty hours a week while performing a second, unpaid, full-time job as visual erotic entertainment for society at large, simply by existing as a female in the world. Why not demand payment for that second shift?
And, as it turns out, that second shift pays far more than minimum wage – and all you have to do to claim your paycheck is to agree to perform a ritualized acknowledgment of your status as entertainment by revealing your body or performing sexually.
Goodbye polyester smock and plastic nametag – hello tuition payments!
[To Read the rest of this fantastic article - at least to " There is nothing more objectifying than poverty." - please visit: http://edstrong.blog-city.com/sex_striptease__feminisism.htm.]
Young Women Re-Craft Feminism as DIY Project
By Courtney E. Martin – WeNews correspondent
NEW YORK (WOMENSENEWS)- Two young women- strangers – sit across from one another on the subway knitting brightly, multi-colored scarves on the F train heading into Brooklyn.
They give one another knowing smiles and one removes her earphones. “So where do you get your yarn?”
Knitting, crochet, quilting, weaving, silk screening, sewing, book making, scrapbook making and amateur interior design have hit the big time among many young women.
According to the Crafts Report, a trade magazine based in Iola, Wis., almost half of crafters in the $13 billion-a-year industry are under 45 years of age and two-thirds are women.
Boutiques selling handcrafts, craft fairs and Web sites such as GetCrafty, KnitHappens, Craftster, ChurchofCraft and Knitty are measures of a boom.
What’s going on?
Homemade wares were once the key to survival, but as industrialization replaced locally produced goods, they became basement hobbies by the 1950s, largely sequestered off in a cultural corner.
But in an era of rising anxiety about the effects of globalization – on everything from the economy to social cohesion to the biosphere – many young women in their teens, 20s and 30s are joining a push to make things local and more personally connected. And for many of them knitting and stitching is the way in.
“There’s something undeniably empowering about saying, ‘I made that,’ whether the finished product is a crocheted tea cozy, a water bottle chandelier or a rig to connect your iPod and a car stereo,” says Julia Cosgrove, managing editor of ReadyMade, a Berkeley, Calif., magazine chock full of craft project ideas. “The DIY movement offers its members the utmost independence, so it’s no surprise that feminists, who had long fought for independence and equality, should find a home within its confines.”
[To Read the rest of this fantastic article, please visit: http://www.womensenews.org/article.cfm/dyn/aid/3061/context/archive.]
four excellent things
With the gloom clouds lifting from my own, private Gotham, I have four Excellent Things to share with you:
1. The Willie Nelson video of Cowboys Are Frequently Secretly Fond of Each Other (thanks for sending, Mr. Goatman). Nothing like some karaoke drag queens and absurdly cute line dancers with great bums in their jeans to brighten my day. Also – a little verklempt, the queers I know in rural places having had their heads put through windshields and such.
2. ACT UP 20th anniversary demonstration: Activists staged a die-in today on Wall Street, affirming our human right to health care and demanding a national insurance plan in the U.S. The march, memorial, body bag dump at the Wall Street bull, and arrests recalled the historic first demonstrations by ACT UP on its 20th anniversary. In addition to the old ACT UP vangaurd, the crowd included people living with HIV/AIDS, at least one “Granny for Peace,” and some doctors who have never participated in civil disobedience before.
3. Short jump from bad-ass AIDS activists to the folks at Just Food. Just Food is empowering communities to generate the good food people need, the environment needs, and our economy needs while also advocating and educating for the necessary systemic changes to ensure more communities can have good food. They are looking for “community chefs,” and the announcement is pasted below.
4. My first muffin recipe post! Continuing with the cornmeal trend and the last of this year’s pears (maybe?). It is becoming spring pretty quick…mmmmm, spring greens…
Job Title: Community Chef Organization: Just Food Location: New York City Salary: PT Temporary
Job Description: Just Food is looking for people to join its team of Community Chefs. To become a Community Chef, Just Food will train you through a series of classes. You will learn how to facilitate workshops about local, seasonal cooking and eating; basic nutrition; fruit and vegetable identification; recipe creation; knife skills; and food storage and preparation. As a Community Chef, you will inspire and empower New Yorkers to create delicious and healthy meals for themselves and their families.
The training to become a Community Chef costs $100, however, the fee may be paid in installments that are deducted from your stipend or it can be paid in full at the time of the training.
Community Chefs are paid a $100 stipend per cooking demonstration workshop. Eligible Applicants:
Are great cooks
Are able to answer basic nutrition questions
Are able to plan health-supportive meals and recipe
Are concerned about eating local and where their food comes from
Are independent, self sufficient workers
Work well with groups
Are outgoing with a desire to teach
Are able to think on their feet with creative flare
Are willing to travel on public transportation with cooking equipment in tow
Applicants should contact Angela Davis, Community Food Education Program Coordinator, via e-mail at Angela@justfood.org. Organization Web Site: www.justfood.org
